June 14 - BILL CHARLAP - REGATTA BAR BOSTON *
Peter Washington, Bass
Kenny Washington, Drums
June 21 - ONE NIGHT ONLY
Winter's Jazz Club, Chicago
465 McClurg Court
312.344.1270
Sept. 20-21 - Birdland, New York
Mike Renzi, Jay Leonhart
****Special Guest Scott Hamilton***
A live recording for new cd
Oct. 11 - The Clayton Center
Clayton, NC - Time TBA
"A Jazz Duet Recital" -
Carol Sloane and Mike Renzi
* No, I'm not singing with Bill. Just want to make sure you mark his date as a "MUST". I will be in the audience, so I say that counts as one of the places where you'll find me in the coming months.
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THE PASSIONATE JAZZ FAN
Gary Shivers and I, seeking funds during a drive at WUNC in Chapel Hill, in the early 1980's
I remember the night I
met Gary Shivers at a club called The Frog & Nightgown when it was located in the Cameron
Village Subway in Raleigh. He was new to the
Triangle having just become General Manager at the NPR affiliate WUNC-FM,
broadcasting from cramped studios on the UNC campus. In addition to his
administrative responsibilities, he inaugurated a Saturday morning program
called “Gary Shivers On Jazz”, from 11 AM to 2 PM.
At The Frog that night, he told me, with a
broad smile: “I have all your albums”. I
was quite impressed because there were only two at the time, gathering dust in
all sorts of unknown places, but obviously not at his house. His
compliment was genuine and sweet, and predictably we became best friends, sharing our love of jazz, good food, pretend
vintage wine and classic black & white movies.
After he left North
Carolina to return to his birth place, we enjoyed marathon phone conversations
between my home in a Boston suburb and his digs in Kansas City. These precious link-ups
continued until the last one, about two weeks before he died. Over the course of time he had shifted his
focus to classical composers, having lovingly archived his enormous vinyl and
cd jazz collection in a sort of cryonic state, maintaining his passionate focus
on music, but now from Bird to Bach.
I can tell you with
vivid memory that at precisely 11 AM every Saturday morning, I could hardly
wait to hear what the opening GSOJ sounds would be: Five minutes of Sonny
Rollins? Phil Woods? Thelonious Monk?
Bob Brookmeyer? And then his soothing, gently authoritative voice identified the
artist, telling us why it was important that we spend the next hours enjoying
and learning as he explained with undisguised glee when the recording was made,
who all the sidemen were, who wrote the arrangements, how the musicians
interacted, and whether it was raining that day … well, you get the idea. It
gave him enormous pleasure to share his extensive knowledge with his loyal
Saturday morning audience.
After three full hours
of inspirational, fascinating, extraordinary improvisations, made easier to
comprehend because of his concise explanations, one came away enlightened and
refreshed, always wanting more.
“Gary Shivers on Jazz”
awakened neophytes, satisfied die-hards, and nourished thousands of starving
jazz fans in the Triangle. May I say, without Gary Shivers, the lines of
devoted jazz fans outside the doors of The Frog & Nightgown in Raleigh, or Stephen’s,
After All in Chapel Hill would have been significantly diminished.
Gary Shivers died in
Kansas City, MO on February 2, 2019.
R.I.P.
-Carol Sloane
Boston, March 31, 2019
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * *
"Gertrude. You know you're the only one for me."
* * * * * * * * * * * * * * * * *
Love the part about how she envies me a trip to LA!
* * * * * * * * * * * * * * * * *
Here's a sweet memory: It's near the end of 1967. I am at my hairdressers at Revlon in Mid-town Manhattan when word sweeps through that Barbra Streisand has just arrived, and it's "Everyone on alert and at the ready". My man, Mr. Edward, becomes slightly crazed, and begs me to arrange a meeting for him. I haven't seen Barbra since our initial meeting in 1962, when she came to hear me sing at The Village Vanguard. She did not identify herself, wore jeans and a t-shirt, with no sign of a purse. I had no idea she was stopping the show every night playing Miss Marmelstein in the Broadway hit "I Can Get It For You Wholesale".
I do remember she asked "How do you do that"?, referring to those few improvisational elements which were becoming part of my developing style. We talked about that, and I told her how jazz singing was my life's dedication, happily trailing along behind my favorite legendary jazz singers Carmen McRae, Ella Fitzgerald, Sarah Vaughan and Billie Holiday. Ours was an amicable chat, and away she went.
Because I didn't want to disturb her while she was being beautified, I decided to send a note into her private room at Revlon. She flipped the note to write her sweet response on the reverse, and it was delivered to me in the midst of my own beautification:
Because I didn't want to disturb her while she was being beautified, I decided to send a note into her private room at Revlon. She flipped the note to write her sweet response on the reverse, and it was delivered to me in the midst of my own beautification:



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