I was going to tell you about several fun-filled meetings with Mel Brooks which occurred in the earliest days of my life in Greenwich Village. In 1958, I lived in a one-room basement apartment in a building which still exists. I know: I paid a brief nostalgia call to the address recently.
My neighbor, Charles Morgan Harris, a darling, starving illustrator, lived in an identical cramped unit beside mine. We learned quickly that we shared a love of jazz and our friendship lasted until his untimely death. Our small building contained six other tiny apartments, one of them the second-floor residence of an elderly, very patient lady named Mrs. Eleanor Biddlecomb. Perfect! Lacy, genteel, a cat/owner lover.
Our digs faced an indoor courtyard, an area which softened street noises and provided my cat the opportunity to pay a Curiosity Call on neighbors who left windows open. The building which fronts West 15th Street also housed a woman who provided secretarial services. One of her clients was Mel Brooks.
On a balmy spring night, Charles and I were sitting in the couryard sipping our favorite beverages with Miles Davis sounds in the background. We recognized MB as he approached and pulled up a chair. Mr. Brooks was not as well-known as he is today, and should it be possible you know not of his accomplishments, please go here.
Before long, Mel had us reeling with his jokes and hilarious takes on people and life in general. He was soon scheduled to appear on The Late Show Starring Johnny Carson, and he couldn't resist rehearsing his schtick for us: He would sit in the Number One Guest Chair and after a few minutes, Johnny would mention, feigning naive curiosity: "You like to sing, don't you Mel?" To which Mel would reply: "Well, yes ... and if I may ... I'd like to ... may I?" "Of course, please do", responds JC.
Mel: (To Skitch (Henderson, band leader): I'll sing "Dancing In The Dark" if that's okay ... just give me an arpeggio in C ... "
Mel begins to sing, and gets as far as " ... so deep in my heart, you're really a part of me", suddenly breaking off. "No, sorry Skitch, that key's too low ... could you take it up a half-step." Skitch complies. Mel stops in the same place. "Sorry, it's still a little too low ... another half-step please?" Mel stops at the same place again, and this time he's standing, presumably to make it easier to reach the low notes. The back-and-forth continues, taking Mel progressively into higher musical range. He's now standing ON the chair. Still no luck. Finally, Mel is standing on Johnny's desk, audience is screaming and JC looks appropriately bemused. Charles and I are now hysterical, holding our sides and gasping for air.
Before he left us, we asked about future projects. "Well, I can tell you now that I will one day produce a Broadway show called "Springtime For Hitler". We explode into tear-producing laughter: "Oh Mel! STOP ... we can't take it any more!
P.S. Please take special note next time you see it: In the movie "The Producers", starring Zero Mostel as Max Bialystock and Gene Wilder as Leo Bloom, there is a scene in which CPA Leo Bloom is carefully entering the names and amounts little old ladies have contributed to Max Bialystock's forthcoming project. One of the checks is signed "Mrs. Eleanor Biddlecomb".
Originally posted May 27, 2007
Labels: Mel Brooks Visits My Apartment
Thursday, May 20, 2010
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